The Last Little House on the Prairie Acrylic Painting neighborhood homestead Cassie Dunmyer Creative Muncie Indiana

"The Last Little House on the Prairie"

A new Homesteading Painting

I just finished another painting for my new series focused on homesteading and the negative impact of cultural norms on the environment. “The Last Little House on the Prairie” is one of my most detailed and favorite acrylic paintings to date.

Experimenting and challenging myself

Drawing of Neighborhood in progress graphite on canvas Cassie Dunmyer Creative Muncie Indiana

While I took breaks and wasn’t consistently able to make progress on it, the drawing phase began in March. The time, attention to detail, and thought put in has led to finishing one of my favorite paintings I’ve made. I also created smaller pieces here and there and focused on other work needed in my studio. However, this homesteading painting has taken a lot of my focus. And now, I’m doing all the happy dances that it’s ready to be framed and then submitted to a regional show.

Throughout creating this piece, I was challenged by the technical aspects and my own experimentation. I hadn’t made anything involving exact measurement and perspective in years. There’s a point where I was calculating exact percentages to perfectly scale the houses in space. Then, there came the point where I did my best to just eyeball it. The strings I had pinned to the wall and tape helped me to at least keep consistent angles toward the horizon line.

Underpainting Acrylic Painting neighborhood homestead Cassie Dunmyer Creative Muncie Indiana

While I can easily point out what isn’t technically right in the painting, I feel like its looseness amidst the preciseness is one of the things I enjoy about it. I don’t normally create underpaintings of various colors in my work. I tend to gravitate toward building the exact colors I plan to use. Here, I wanted tiny bits of unnatural color to peek through the scene. This also added to a painterly quality that I was going for. However, I chose to not use these unnatural colors in the plants on the homestead. I also depicted only plants that are useful, produce something edible, and would be in season at the same time.

Homesteading inspiration and thoughts behind the painting

To be honest, I still haven’t read the books or watched much of the TV show. Maybe it isn’t the best title considering. But, I hear so often how Laura Ingalls Wilder’s stories inspired people to homestead.

Sometimes I think about what everything looked like before it was developed. As a Midwesterner, I imagine sprawling prairies and woods where subdivisions and intersections are now the landscape. One of our biggest monocrops is now grass that not only harms the biodiversity of our environment, but increases pollution and water waste. And if it doesn’t look perfect? Well, you can even paint that grass the “perfect” “natural” shade of green with sprays. 

Meanwhile, it’s become a special interest hobby to grow your own food. Our yards are more often ornaments than habitats for life and provision. Because, within the last 100 years, the general population has traded an anesthetic and convenience for healthy longevity and sustainability. Where it was once more common to have a garden and raise small livestock than not, we now have restrictive HOA’s that ban such efforts for self reliance. You can find countless articles guiding you on how to hide food and functional plants in your landscaping so as to not upset your neighborhood. 

So, I imagine this as the last little homestead in a sea of tract houses subscribing to HOA ordinances. Shining as an example of what could be.

The Last Little House on the Prairie Acrylic Painting neighborhood homestead Cassie Dunmyer Creative Muncie Indiana

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